Sequel to independence day resurgence awesome
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By sitting out the last 20 years and bypassing the era of mass franchisification of mainstream movie-going through endless big budget sequels and spin-offs and reboots and remakes, Roland Emmerich’s return to the bombastic effects spectacles that he’s famous for somehow actually feels like a breath of fresh air. In many ways, it succeeds in the same way as last year’s Star Wars revival (although it’s not as good) by returning to a world that we haven’t been overloaded by in recent years. You don’t need to have studied hours of texts and seen a dozen other movies just to follow it.
#SEQUEL TO INDEPENDENCE DAY RESURGENCE AWESOME HOW TO#
The film is stacked, but thankfully it’s with actors who are very watchable - most of whom know how to handle the knowingly cheesy material they’ve been given.ĭespite being plainly derivative of the original, the new film actually gets incredible mileage for simply not being about a Marvel superhero, or the X-Men, or the DC comics, or being tied to any other long-running franchise about pirates, dinosaurs, fast cars, or divergent, hungry, maze-running young adults. Fox), kooky David Levinson (Jeff Goldblum) and his overly stereotypical Jewish dad (Judd Hirsch) are all back from the first film too. There’s even a surprisingly heartfelt gay romance that somehow works better than Emmerich’s entire Stonewall fiasco from 2015. Then there’s a giant spherical device that could save us all, an African warlord (Deobia Oparei), a Chinese fighter pilot (Angelababy), a female President (Sela Ward), a boatload of drunks out in the Atlantic Ocean, and a French scientist (Charlotte Gainsbourg, sticking around longer than Juliette Binoche in Godzilla, but given just as little to do). Naturally, the aliens return (when asked how nobody noticed them drifting through the galaxy, the characters and the film simply don’t answer) and are intent on drilling to our planet’s molten core and killing everyone dead. Everybody looks to Jake to recreate his father’s legendary heroics and save the world.
#SEQUEL TO INDEPENDENCE DAY RESURGENCE AWESOME MOVIE#
Usher), the son of Will Smith’s character from the original movie who has since died in vague circumstances (Smith said he was more concerned with “storytelling” than “explosions and gimmicks” and chose not to return). Jake’s chief rival is Dylan Hiller (Jessie T. She is the daughter of the former President (Bill Pullman and Bill Pullman’s beard) who is now plagued by visions of the alien’s imminent return. It’s here we meet Jake Morrison (Liam Hemsworth), a lunar-based pilot who is dating Patricia Whitmore (Maika Monroe). Humans have used the technology they left behind to advance astronomically into the future, including building a base on the moon - apparently contractors got super productive in those two decades - and preparing for a return attack. It’s 20 years after the events of the original Independence Day and in what is perhaps the film’s biggest logical leap, it turns out the alien invasion of the first film rallied the world’s nations together for two decades without war. – It’s The End Of The World As We Know It (Again) Its revolutionising of film marketing, popularising of self-referential dialogue, and position in the expansion of the international box office made it an era-defining hit. This was rare then at a time when blockbusters were the realm of natural disasters ( Twister), animals ( Jaws), space opera ( Star Wars and Star Trek franchises), and evil technology ( Terminator 2: Judgment Day). It took the pulp of 1950s sci-fi end-of-the-world scenarios and turned it up to eleven. Roland Emmerich’s original film was in many ways the beginning of the modern blockbuster era. How can you not admire the wonderful dumbness of somebody asking what gravity is? Or an admiral being completely ignored when he questions how a 500-mile spaceship entered the galaxy without anyone noticing? Or a bus-load of scrappy kids stopping their alien getaway to save a cute dog? It also doesn’t matter one bit, because this sequel to the 1996 blockbuster is a whole lot of fun.
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Independence Day: Resurgence is a wildly silly movie full of nonsensical logic, terrible exposition dialogue, and convoluted gobbledygook science.